"Well, that's simple enough. And these ̶b̶u̶s̶st̶y̶ of yours (the woman with the pipe) don't let you in, into the open spaces! They're too active, in short, they block the view" (c)... there...)
"Well, that's so simple. And these ̶b̶u̶s̶t̶y̶ of yours (the woman with the pipe) don't let you in, into the open spaces! They're too active, in short, they block the view" (c)... there...)
Troitsky Andrey, Yes, you've mastered the copy/paste method well, at least you changed a couple of words..))) I don't have a landscape, but more of a genre; music doesn't let you in deeper.
Troitsky Andrey, Yes, you've mastered the copy/paste method well, at least you changed a couple of words..))) I'm not doing a landscape, but more of a genre; music doesn't let you go deeper.
Boris Gurevich, Why don't you just like the right square here? I really like it... without that empty space on the left... like, "Auntie blah-blah," and the other guys are so top-top...) And landscapes are such a thing... you can get in there sometimes, but you can only get back through the immigration service...)
Boris Gurevich, what's wrong with the square on the right? I really like it... without that empty space on the left... like, "Auntie blah-blah," and the other guys are so top-top...) And the landscape is such a thing... you can go in there, but you can only get back through the immigration service...)
Troitsky Andrey, I like the square myself, but I've been trying to deny myself this pleasure for about a year now and force my thoughts into full frame...
The full frame is harmonious here. The overhead light illuminates the musician and adds air to the stage. The track creates a bright, contrasting background for the saxophone, enhancing its importance and further highlighting it. The shadow figures rise like the notes of the music the woman plays. The visual sounds, rising, transform into sunlight, and the circle closes. All IMHO, without AI. )
The full frame here is harmonious. The overhead light illuminates the musician and adds air to the stage. The track creates a bright, contrasting background for the saxophone, enhancing its significance and further highlighting it. The shadow figures rise like the notes of the music the woman plays. The visual sounds, rising, transform into sunlight, and the circle closes. IMHO, no AI. )
Ctrl Alt Del, I agree, the only thing they forgot was the highlighted hair, and that's where the shot actually began. The rest came together.
Ctrl Alt Del, I agree, they only forgot the backlit hair, and that's where the shot actually started. The rest fell into place...
Boris Gurevich, - it's probably so obvious that it didn't make the list = just kidding )) And I imagine the backlighting looked even more interesting at the time of shooting. It was also lucky that the bottom of the pole didn't touch the instrument. Everything came together well and on time.
Boris Gurevich, - it's probably so obvious that it didn't make the list = a joke )) And I imagine the backlighting at the time of shooting looked even more interesting. It was also lucky that the bottom of the pole didn't touch the instrument. Everything came together well and on time.
Ctrl Alt Del, I'm often touched by detailed analysis of photographs, especially classics - critics will see all sorts of things and pass it off as mastery (except for the staging, of course), but in reality, there are only two factors: reflexes and luck.
Ctrl Alt Del, I'm often touched by detailed analysis of photographs, especially classics – critics will see all sorts of things and pass it off as mastery (except for the staging, of course), but in reality there are only two factors: reflexes and luck.
Boris Gurevich, and if we continue, the third factor: more shots in a series means a higher chance, the fourth: experience and intuition – a careful review of what's been done and the correct final choice the fifth: get out the knives (scissors) – correct framing...
And landscapes are such a thing... you can get in there sometimes, but you can only get back through the immigration service...)
But pay attention to the left square.
It's a shame to waste the space on the left.
Who knows.
I noticed.
No one is taking it away from you...
That's what I thought.
All IMHO, without AI.
)
the third factor: more shots in a series means a higher chance,
the fourth: experience and intuition – a careful review of what's been done and the correct final choice
the fifth: get out the knives (scissors) – correct framing...