Garages, huh?

Garages, huh?

Nadezhda Pavlyuchkova, yeah, garages,

Nadezhda Pavlyuchkova, yeah, garages,

Suvlehim Takats, we almost don't have those left, except on the outskirts.

Suvlehim Takats, we hardly have any of those left, except on the outskirts.

Nadezhda Pavlyuchkova, Yes, we have them too. Where once, not long ago, there were beautiful, homeless-looking courtyards, they've put up gates and everyone's hidden in the windows of individual apartments.

Nadezhda Pavlyuchkova, Yes, we have it too. Where before, not long ago, there were beautiful, homeless-looking courtyards, they put up gates and everyone hid in the windows of individual apartments.

Suvlehim Takats, Ashtriset, it's the same with us.

The lens was strategically chosen for this type of scene, providing complete immersion into the garage atmosphere.

The lens was chosen very strategically for this type of scene. It provides complete immersion in the garage atmosphere.

Pablo Ko., Yes, a standard lens would have looked much simpler.