Vlad Sokolovsky, I'm just getting the hang of squares myself. Here, from my point of view, it's not about the framing, but about giving the eye something important, clearly placing accents, without forcing it to wander in search of something. This is more difficult to do in a panorama than in other genres, but you have to look for it.
Vlad Sokolovsky, I'm just getting used to using squares myself. Here, from my point of view, it's not about the framing, but about giving the eye something central, clearly placing accents without forcing it to wander in search. This is harder to do in a panorama than in other genres, but you have to look for it.
Lussiya, I could be wrong, but it seems to me that the eye is always drawn to the tree or the bright crown By making a square, we have the main focus, without the details. Although they may be unimportant, without them it's already a bit boring and crowded. But I could be wrong Anyway, I know where I can reshoot this place next fall
Lussiya, Vlad Sokolovsky, And I'll put in my two cents: there's no need to cut anything, there's a compositional center here, and both the tonality and lines lead to it.
AutoPano stitches the frames together well, as long as you shoot rows in a single line. And with a wide-angle lens, of course, it's better to have a tripod (not a wide-angle lens here, a 28mm one).
Vlad Sokolovsky, you can do more than that! )) And we'll capture Isloch too.
Well done, Vlad!!!!! By the standard concepts of composition I know today, the photograph is out of format. But, at the same time, the landscape blows your mind with its beauty and volume, drawing you deeper into the haze. I never thought you could break the mold in ordinary panoramas of your favorite river without interesting light. Five more superb photos!
I would give it 100 points, it's a pity there is no such rating.... these are simply the oak groves of my homeland, real and beautiful, harmonious and solemn, very picturesque, in general, as always with you - excellent!!!
The crimson hues of terracotta are already fading, More like tapestry than imperishable brocade! But how reliable is the fabric of carpets and bedspreads, So autumn is almost over, but tomorrow it will already begin!
If the top branch were much longer, then I'd agree.
Plus, in the proposed cropping option, I would flip it horizontally, by the way.
Here, from my point of view, it's not about the framing, but about giving the eye something important, clearly placing accents, without forcing it to wander in search of something. This is more difficult to do in a panorama than in other genres, but you have to look for it.
By making a square, we have the main focus, without the details. Although they may be unimportant, without them it's already a bit boring and crowded.
But I could be wrong
Anyway, I know where I can reshoot this place next fall
And I'll put in my two cents: there's no need to cut anything, there's a compositional center here, and both the tonality and lines lead to it.
And regarding cropping, we can discuss that later.
All the best and happy shooting!
And we'll take Isloch too.
AutoPano stitches the frames together well, as long as you shoot rows in a single line.
And with a wide-angle lens, of course, it's better to have a tripod (not a wide-angle lens here, a 28mm one).
Lussiya,
By the standard concepts of composition I know today, the photograph is out of format. But, at the same time, the landscape blows your mind with its beauty and volume, drawing you deeper into the haze.
I never thought you could break the mold in ordinary panoramas of your favorite river without interesting light.
Five more superb photos!